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Feb 8Liked by Amanda Montei

This all reminds me of the ways culture tried to brush aside Alanis Morissette when Jagged Little Pill came out. At the time, I dismissed her too, deciding that Ani DiFranco was more authentic (now I love them both), which of course is a how far we have or haven’t come point of reference.

I will add that the continuum (Swift on one end, Rodrigo on the other) that girls have to reconcile with is real, but speaking as just one queer girl, I never felt like I was ON it, but instead watching it as an outside spectator, where the “real” girls (read straight, or even bi) lived and (attempted to) received love.

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This makes so much sense.

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Feb 8Liked by Amanda Montei

Thank you for writing this piece. It hit me in a few places (and likely more as I reread and let it simmer). I have almost 10-year-olds who are huge Swifties and Olivia Rodrigo fans. I had no clue about the feud, but I will look into it. Okay, but on to TS. I am a long-time indie rock fan who always prefers small batch to mass production. In addition, I am a fiend for a good song, whoever writes and records it. And this is where I got caught up in the TS mania. We can argue the topics about which they are written, but she is a songwriting wizard. There is immense full-body joy in her music for me. Is she a white cis heteronormative wanna-be-townie? YES. As you've said, the issues go way beyond Taylor, Olivia, Beyoncé, and SZA. That's all for now.

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I’m pretty sure the feud is fake! But who knows. And I get that joy— I spend about 75% of my mothering time these days listening to Swift with my kids, so I understand the appeal!

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