News
Care for Writers: The Workshop is now open for registration! Both cohorts are half full, so grab a spot while you can. I also announced earlier this week that I have a few spots open for 1-1 work with writers this spring. Read all about both options and get paid subscriber discounts here.
Writing Group: Save the Date for our next virtual retreat— first week of May. More dates and times coming soon.
Our inaugural Reading Group starts…now! We selected “Why Sexuality is Work” (1975) by Silvia Federici for April’s essay. It is included in the book, Revolution at Point Zero. I’ll kick us off next week with some words about the essay and our first discussion thread. PDF of the essay here:
This week’s writing prompt
As a little treat for every paid subscriber who makes this community possible, I share writing prompts most Fridays. These prompts are just to get you going, whether you feel stuck on a current project, want to explore writing in new directions, or just want to write something this weekend for yourself but don’t know how to begin. There is no right or wrong way to do this.
If you want access to this and other writing prompts, plus our new feminist Reading Group, upcoming author salons, and more, upgrade your subscription.
I am extending our economic anxiety sale because 1) I forgot to send a last call for upgrades, 2) we’re starting our Reading Group next week and I REALLY want you all to join, and 3) we’re all still feeling economic anxiety!!
Annual subscriptions are just $49 for a year.
Writing Group subscriptions are also just $125 for a few more weeks— and our next virtual writing retreat is the first week of May, so get in now!
Reminder to keep our writing prompts within our community. They have been acquired over years of teaching, and I use them in my classes. I offer them as a thank you to paid subscribers for the ongoing support.
When your braided essay is a matted mess
Today I’m teaching a three-hour class on untangling braided essays. I work with a lot of writers who weave memoir with research and/or criticism, and nearly every writer struggles with structure. Over the years, though, what I’ve come to realize is that structure is somewhat of a surface-level concern. For most writers, underneath structure is so hard there are often two, related issues.